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Call for Submissions!Theme: TechnologyDeadline: February 28th, 2017

We consider fiction and non-fiction in a variety of genres, although our emphasis is publishing literary fiction and poetry. We are also interested in collections of essays and books on politics.

Call for submissions for new online literary journal: Black Womxn Across the Diaspora.

Call for Submissions is one of the most important ways our editors (editors from magazines who are posting) reach out to our readers and get them to interact with their publications. Submissions are the backbone of the literary magazine world. Editors are always looking for great submissions, and we hope you find what you are looking for here on our call for submissions. Good Luck on Submitting your work!


Final Call for submission for the A3 Review literary magazine Issue #5.

Mothers Always Write is a new online literary magazine for mothers by mother writers. We offer essays and poetry intended to honor the parenting experience as one of life’s greatest callings. We are seeking essays (up to 800 words) and poetry (up to 3 poems) that offer deep, emotional writing with insight into parenting. Please see our writers’ guidelines or specifics at .

SPANK THE CARP Call for Submissions. We’re looking for flash fiction, short stories, and poetry, including shape poetry. If your work is thought-provoking, sophisticated, yet not pretentious or obscure, we’re interested. For submission guidelines and more information visit .

Copper Pen Press call for Submissions.

CALL FOR SUBMISSIONS: This Bridge Called Language (Anthology)

Minor Arcana Press is currently accepting submissions for single-author poetry and short fiction manuscripts, as well as multi-author anthology proposals, during the months of January and February.

PAROUSIA Magazine is calling for submissions for The Gospel Issue #5 to be published by April 2017 during the Easter Celebration. This issue welcomes narratives on the Death, Burial, Resurrection and Ascension unto Glorification of Jesus Christ which as seen from the scriptures (1 Corinthians 15:1-4) is what the gospel is about also it welcomes submissions that are standard for Christian publications.
We are interested in Fiction, Creative Non Fiction, Poetry, Review, Interview, Photography, Painting, Drawing, Graphic and other creative art works.
Submission is open to every writer regardless of age, experience or location.

Even Emerson called Whitman's poetry
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Call for Essays for Anthologies: In Fact Books

Notwithstanding the increasingly frequent references to Cantillon in the 1870's, the honor of recognizing the true stature of Cantillon and of assuring him his proper place in the history of economic thought must be reserved for W. St. Jevons. Jevons's essay on "Richard Cantillon and the Nationality of Political Economy," published in 1881 in the achieved recognition for Cantillon at least in the English and French-speaking countries, but above all it clarified the question of authorship and signposted the way for subsequent research concerning Cantillon. Practically everything that we know about Cantillon is due either directly to Jevons or to the researches of Higgs, which he inspired. Suffice it to recall here his summing-up of Cantillon's achievement:

Anthology – Call For Submissions | Writing Career

The is far more than a mere essay or even collection of disconnected essays like those or Hume. It is a systematic and connected treatise, going over in a concise manner nearly the whole field of economics, with the exception of taxation. It is thus, more than any other book I know, Sir William Petty's and his are wonderful books in their way, and at their time, but, compared with Cantillon's they are merely collections of casual hints. There were earlier English works of great merit, such as those of Vaughan, Locke, Child, Mun, etc., but these were either occasional essays and pamphlets, or else fragmentary treatises. Cantillon's essay is, more emphatically than any other single work, "the Cradle of Political Economy."

Anthology – Call for Submissions

One seeks in vain for Cantillon's name even in Blanqui's history of economic thought and until 1870 one finds only spasmodic references to him, Ganilh being a case in point. Eugène Daire devoted some scattered footnotes to him in his edition of the Physiocrates, while Cantillon is once again correctly identified in Julius Kautz's 1860 account of political economy and its historical development as a "transitional link between the Mercantilists, the Physiocrats, and the Smithians, ranked among the actual founders of political economy particularly because of his originality and independence of comprehension and presentation." At this juncture it is well to recall a point that has been lost sight of since the rediscovery of Cantillon, namely, the fact that Wilhelm Roscher always paid tribute to Cantillon's importance. Relatively few other early authors are as frequently mentioned in Roscher's "Foundations of Economics," while in his history of political economy he credits Cantillon's with "containing in essentially perfected form many of the main traits and most important achievements of the Physiocrats." It is presumably due to Roscher's influence that Fr. von Sivers in his 1874 essay on "Turgot's Place in the History of Political Economy" offers a detailed appreciation of Cantillon, many of whose pronouncements he quotes with the utmost praise. Meanwhile, writing in France four years previously, Léonce de Lavergne, that fine historian of his country's eighteenth-century economic literature, had indeed begun his review of the Physiocratic school by naming Cantillon and Gournay as its forerunners, saying in particular of Cantillon's that "this book, though it was barely the size of a duodecimo volume, anticipated all the theories of the Economistes."

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After all, the worlds of jazz and drug addiction are historically intertwined; it could be possible that Sonny's passion for jazz is merely an excuse for his lifestyle and addiction, as the narrator believes for a time.

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